Reflections on the Impact of AI on the Art World: Challenges and Opportunities

Around the turn of the millennium, as personal computers developed the capability to run more advanced programs, the art and illustration markets experienced a revolution. Programs such as Adobe Photoshop and Corel Paint suddenly enabled artists to create images at an unprecedented speed and scale. However, the impact of these technological breakthroughs also brought new challenges. The influx of new artists and the speed of production led to increased competition and decreased pay across much of the illustration industry.  Artists were forced to adapt to new mediums and expectations. 

Fast forward to today, and the art world is once again being shaken by digital technology, this time with the rise of artificial intelligence (AI) in the creation of art. With AI art generators, anyone can now create art with just a few words. This technology has ignited a deluge of new debates and controversies regarding the nature of art and originality.

AI: Art Thief?

One of the main controversies is the potential for AI to "steal" other people's art and styles to create new works. Essentially, A.I. art generators, following a text or visual prompt, identify and break down relevant source material, then reconstruct that source material into something new. The end result is a visual image, which many argue is completely original, based on the prompt that was provided. While it may be argued that the final image is original, the controversy revolves around the concept of "style." A.I. art is most successful when it learns from existing artists and attempts to mimic their skills and art styles, which many artists have spent decades developing. Exploring this idea, I attempted to create A.I. art in the style of Michael Whelan using three different A.I. generators: Stable Diffusion, Wonder, and Dall-E. I used the prompt, "a fantasy book cover depicting a princess riding on a white dragon in the style of Michael Whelan." The results? As you can see, the A.I. generated images fall short of book cover quality and lack the refinement of a Whelan illustration (and these were the best images of many attempts).  Also noticeable are many flaws in anatomy of both the humans and dragons. While some ignominious art directors or publishers may find such images acceptable, it seems to me that A.I. is not yet fully capable of mimicking artists, at least not in the hands of the average user. However, I believe that as the algorithms and technology advance, A.I. generated art will become indistinguishable from the work of many well-known artists and this controversy will become very relevant. 

  

AI Images and Copyright

Another issue surrounding AI-generated art is the uncertainty surrounding copyright laws. Currently, the copyright laws regarding AI-generated images are undefined and untested. In 2022, the U.S. Copyright Office denied copyright claims for AI-generated works of art on the grounds that they lack human authorship, which is a requirement for copyright protection. The clarification and establishment of legal precedents regarding these works will only occur as more cases are brought to court.

The Value of "Input" in Art

Another aspect to consider in AI art is the role of "input." In my opinion, what makes a work of art valuable to collectors and appreciators is the combination of "input" and "output." "Input" refers to the learning, experiences, and creative process that lead up to the creation of a piece of art. "Output," on the other hand, refers to how the art is presented and received by an audience, and the emotional connection it makes.

As an example, let's consider Francisco Goya's painting "Saturn Devouring His Son," which is part of his Black Paintings series. Unlike his previous works, which were often commissioned by Spanish royalty and nobilty, the Black Paintings were created as a personal expression of Goya's emotions during the Spanish Inquisition. Despite their roughness and lack of refinement compared to his other works, the power of these paintings lies in their "input." We can sense the anger and frustration that Goya felt through the brushstrokes and composition of the artwork.

In comparison, AI-generated art may have impressive "output," with beautiful digital renderings that may even reach large audiences. However, it lacks the meaningful "input" that human artists bring to their work. The emotions, struggles, and creative process that shape the texture, color, and composition of a piece of art cannot be replicated by algorithms. I do not believe that AI will ever be able to match the depth of "input" inherent to human artists.

The Future of AI in the Art World

Despite the challenges posed by AI, its significance in the art world is expected to grow. However, the exact impact of this technology on the industry and its artists is yet to be determined. It remains to be seen whether AI will displace artists and reduce their pay, or if it will lead to new opportunities and elevate the quality of art.

In my own art practice, I am investigating ways to incorporate AI to enhance, not replace, my creative process. I am personally not drawn to the idea of using AI-generated art as the final product, but I do see potential in using AI as a tool to support my artistic ideas and sketches. I am planning to delve into this topic further in a future post.

Conclusion

The rise of artificial intelligence in the art world is presenting both challenges and opportunities. While AI has the potential to revolutionize the way art is created and produced, it also raises important questions about copyright, originality, and the role of artists in the industry. It will be interesting to see how the art world continues to evolve and adapt to these technological advancements in the years to come.

Polarized Thinking: The Dangers of Thinking In Black-And-White

It's easy to get caught up in the habit of thinking in extremes. Whether it's politics, race, or simply concepts of right and wrong, we often seek to classify people and events into polar opposites. This way of thinking, known as polarized thinking, can have damaging consequences for both individuals and society as a whole.

One of the main problems with polarized thinking is that it oversimplifies complex issues and reduces them to a binary choice. In reality, life provides room for many shades of gray and for a variety of perspectives. When we limit ourselves to thinking in extremes, we miss out on valuable perspectives and potential solutions to problems.

Another issue with polarized thinking is that it creates division and promotes an "us vs. them" mentality. When we define people based on their political views, race, or beliefs, we limit our ability to understand and empathize with others. This can lead to harmful stereotypes and discrimination, making it harder for different groups to work together to solve problems.

Moreover, polarized thinking can have serious consequences for democracy. As Abraham Lincoln famously stated in the Gettysburg Address, democracy is "the government of the people, by the people, for the people." But, when one opinion of one governing party overshadows all others, we have a dictatorship, not a democracy. A true democracy requires that we listen to the voice of all people, not just those who agree with us. This means embracing differences of opinion and engaging in open and respectful dialogue.

I believe that polarized thinking is a dangerous practice that we must overcome. It oversimplifies complex issues, creates division, and undermines democracy. By embracing dialogue and differences of opinion, we can move towards a more inclusive and democratic society.

(Note: This post was enhanced using ChatGPT A.I. The ideas and topics are mine, but A.I. assisted with the essay structure and some of the support statements. I deleted concepts with which I did not wholly agree and edited certain concepts to ensure they fall in line with my beliefs. While this post was written to share my perspective, it also served as an experiment in using A.I. to enhance writing, which is another topic I would like to address in a future post.)

Image Credit: Serious Business. A Young Lawyer Arguing His First Important Case. Charles Dana Gibson (American illustrator, 1867-1944), 1905 pen and ink on paper illustration for Collier's Weekly; published in the artist's collection Our Neighbors (1905)

New Art: Angelic and Kira

I'm continuing to practice using different brushes in Photoshop in order to achieve a more traditional, perhaps painterly, appearance in my digital artwork. Here are two new drawings.

Selected prints are available at INPRNT. INPRNT produces gallery quality art prints. It's a great way to collect high quality art while supporting independent artists. 

 

Ad Mortem Tenemur

Title: Ad Mortem Tenemur

Medium: Digital Painting

This particular image has stuck with me for many years. I still consider this latest rendering a sketch, as I expect it will continue to evolve. Someday, maybe, it will find its way to oil paints on canvas. Perhaps then it will feel complete.

Digital Irony (and some artwork to go with it)

I have always disliked the process of making digital art while at the same time embracing it. I prefer the feel of pencil on paper and paint on canvas. I like to have a finished product I can touch. Digital work is illusory. Even when printed, it is simply a copy of what exists only in some ethereal digital plain. But here's the crux: digital tools make illustration so much easier. I can "undo" mistakes, reposition segments of the artwork, experiment with textures and colors and simply make them disappear when they aren't pleasing. I don't need to buy costly paints or take the time to set up my palette. And digital is faster. What would take me days to create in acrylics or oils can be rendered in a matter of hours on the computer. In the world of illustration, time truly is money (or at least the greater potential to make money).

With that said, I have been creating digital art a lot lately. The convenience permits me to draw and paint during those fleeting moments I have each day.  I've been experimenting with textures and brushes with the goal of creating digital art that doesn't look digital. Is that irony?

Anyhow, here are some of my latest digital renderings. Some of these are available as stickers (and other things) at klwasden.redbubble.com.

T-shirts (and other stuff) Available

I've selected a few pieces of art to make available on Redbubble.com.  I hope you'll check them out. These images will rotate periodically.

https://www.redbubble.com/people/klwasden

The Swan, by Rainer Maria Rilke

I recently undertook a translation of Rainer Maria Rilke's poem, "Der Schwan". My intention was to translate it from English into Spanish, but I had some questions about prior English translations, so I set out to understand the poem in its original German. The problem is, aside from "guten Tag", I know very little German. I began with a literal, word-for-word translation from German into English. I then studied many of the German words and their deeper meanings and tried to understand the essence of Rilke's poem. I also sought input from friends who speak German, and I received some wonderful input and feedback. Helge Moulding offered profound advice, explaining that Rilke "stacked" words in German in order to create new words and deeper meanings, which makes some of the translation difficult. Helge also provided input on some of my original word choices. After considering the input I received, I am posting the translation below. That's not to say that it is complete. I am open to further input and revisions. Thanks to all who provided feedback. (Additional note: I know that Rilke used rhythmic meter in the original poem. I am not skilled enough to both rhyme and capture the soul of the poem, so I instead opted for free-verse.)

The Swan
 by Rainer Maria Rilke
(Translation by K. Wasden)

As he toils at tasks left undone,
his steps are heavy and hindered,
like the graceless gait of the Swan.

And dying–that detachment from
the ground on which we daily stand–
he descends apprehensively

into the water that receives him gently,
as it flows past happily
beneath him, wave after wave,
as he, infinitely calm and certain,
evermore ready and regal,
consents to pass.